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T H E   C D   R E V I E W
HOME | FEATURES  

THE ELO EXPERIENCE           
Distributor: Epic-Legacy     

Three prime era ELO albums get the re-issue treatment. 

WHAT’S IT ABOUT THEN?

Well it had to happen sooner or later and we for one are very glad that it has, ELO aka The Electric Light Orchestra are finally fashionable again and it's okay to admit to liking them again, from being referenced in everything from the new series of Doctor Who to stacks of hit movies, ELO's back catalogue is being re-released with heaps of bonus tracks and new material.

Here we take a look at three of the releases. First up is ON THE THIRD DAY which is really ELO's breakthrough album from 1973 and while it did little business on it's home turf of the UK it was a big hit in the USA; ELO leader and songwriter Jeff Lynne rushed the band into the studio after a long tour promoting ELO2 and Lynne himself described the sessions as Motown rhythms with classical strings, the stand out track is easily Ma-Ma-Ma Belle, a raucous rock n roll sing a long (included on the CD are a couple of early works in progress of this song both featuring a certain Marc Bolan on guitar) but also worthy of attention is Showdown and Daybreaker. 

It was clear though that ELO were heading in a smoother direction, which brings us to 1975's FACE THE MUSIC, released in America first prior to its UK release and recorded between US tours. Face the Music is as smooth as silk, Lynne by now being the master of the studio, he was also moving more towards Brian Wilson's pocket symphonies ideal with every song melodically strong and full of hooks. 

 

The big hit single around the world was Evil Woman, which Lynne only came up when the band were short of a final song for the album. It's actually also here in a stripped down version that is easily the equal if not better than the original. The best song on the album though is the uplifting One Summer Dream, Face the Music then is a clear statement of intent.

If face the music was Lynne laying out his stall then A NEW WORLD RECORD must be the very definition of the band, a summation of the Electric Orchestra Sound and a huge hit around the world, every song a possible single, there are some truly great songs here from the pomp of Rockaria (where Lynne cheekily leaves in Opera singer Mary Thomas's false start at the beginning of the song) to the Pathos of Telephone Line and the classicness of Livin Thing). 

All three of these releases also feature extensive sleeve notes written by ELO archivist Rob Craiger as well as a bountiful selection of out-takes, alternate takes and rejigs.

All three of these releases give you the opportunity to reacquaint yourself with a band in its prime.

 


                              

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