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T H E   D V D   R E V I E W
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U N D E R C O V E R 
Distributor: Roadshow Home Entertainment 
Certificate: PG | Region 4 | Pal Format | 85 minutes
Director: David Stevens 
Available to buy 

Extras:
Yes

ANYONE IN IT WE KNOW?

Genevieve Picot, John Walton, Michael Pare, Sandy Gore, Peter Phelps

WHAT’S IT ABOUT THEN?

In Sydney during the 1920’s naïve Libby (Picot) gets a job working for corset designer Fred Burley (Walton) who has big plans to revolutionise the under garment industry, he hires American marketing expert Max (Pare) to bring his under wear to the public but Libby and her brave new designs are the ones who really hold the key to the future.

SO IS IT ANY GOOD?

Undercover, made in 1983, is one very cute movie with gorgeous cinematography, some great costume design and a wonderful period air. First time script writer Miranda Downes effortlessly captures that pivotal change in times when it was no longer acceptable for women to be constricted by the dreaded corset. Genevieve Picot headlines the mainly lesser known cast and Peter Phelps also pops up as her would be suitor (even though she only has eyes for Burley) however the real stand out is the marvellously throaty voiced Sandy Gore as Burley’s head designer Nina.

Story wise there is a lack of fluidity that sometimes means the film loses it’s centre,

should it concentrate on Burley or go for Libby’s point of view, it tries to settle for both and doesn’t always pull it off. As a nostalgic treat you can’t fault it even though the real star is cinematographer Dean Semler.

ANY SPECIAL FEATURES?

Extras feature some great original cinema advertisements for vintage Berlei products, a 20 minute interview with producer David Elfick on the genesis of the movie and a doco telling the real Berlei story. There is also another of the Australian Film, Television and Radio School shorts that Roadshow like to have on their Australian centric movie releases, this is a short 6 minute piece from 1999 called Roses directed by Sofya Gollan. A great idea this is as it gives us an opportunity to see material that otherwise wouldn’t get a release.

 


                              

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