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I C E M A K E R  
Distributor: DV1 
Certificate: M | 92 minutes   
Available to buy 
Directors: David Gaz, Annelie Wilder
Reviewer: Alan R

Extras: Yes   

ANYONE IN IT WE KNOW?

Bronson Pinchot, Leo Rossi, Darin Heames, Tippi Hedren, Tim McNeil, Joan Van Ark

WHAT’S IT ABOUT THEN?

A bit of scene setting first - It took millions of years for the earth to turn rotting dinosaur bodies and plants into coal and enormous pressures to turn coal into diamonds.  We are told in this film that in the 1950s a process was developed to turn coal into man-made diamonds.  Now in this film a suitably mad looking scientist called Dr Lockbuster (Tim McNeil) has invented a machine that turns the remains of dead people directly into diamonds.  He and a nasty criminal called Garza (Leo Rossi) have made use of this machine to make diamonds from famous dead people - Garza employs two henchmen to obtain such remains (The ashes of Napoleon, head of Walt Disney, etc) by criminal means and then they sell the resultant diamonds to a rich local businessman. 

But they are running out of available dead celebrities so the Henchmen (Bronson Pinchot as Bergerac and Darin Heames as Lulu) are ordered to murder new ones.  Their first chosen victim is fading actress Isabella Hemingway (Joan Van Ark) but she conveniently commits suicide anyway after spending a night of passion with Bergerac.  Bergerac smitten with her wants to keep the resultant diamond but Garza won't allow it.  So Bergerac and Lulu devise a plan to frame Garza for the murder of the businessman.  Anyway that's probably enough of the plot except to say that Mrs Kelly (Tippi Hedren) a collector of diamonds is someone who takes her obsession very seriously.

SO IS IT ANY GOOD?

It's not fantastic really.  The problem really is that the promising sounding central idea is somewhat wasted.  It sounds like a neat idea turning dead loved ones into diamonds but unfortunately the plot that's constructed around it would have worked just the same if they had been mere diamond smugglers or drug smugglers or something else criminal with little change required. 

It seems bizarre that they would have invented this fantastic device only to use it criminally when one would have thought it could be used quite legitimately as a funeral service to grieving relatives.  What could be nicer - instead of an urn of ashes you have a gleaming diamond to wear or display to remind you of a dear departed one.  It might have been a better use of the idea if the emotional and moral implications of such a facility had been explored.  Even ignoring that and just taking the film as it was made it does seem a little directionless at times with a fairly ambling plot going nowhere in particular.  

Familiar names in the cast include Tippi Hedren whose most famous role was in the 1960s as the star of Alfred Hitchock's The Birds; And Joan Van Ark who would be familiar to TV viewers from Dallas spin-off Knot's Landing.

ANY SPECIAL FEATURES?

Interview sequences with some of the cast and the two directors.

 


                              

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