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New
Zealand/Australia / Beyond /4 x
1 hour mini-series / 1993
CAST
Genevieve Picot as Sonjia Davies
/ Mick Rose as Charlie Davies /
Donna Akersten as Mrs Mackersey
/ Tina Regtien as Con / Erik
Thompson as Red / John Laing as
Archie Barrginton / Meredeth
Parkin as Young Sonja / Raymond
Hawthorne as Mr Mackersey /
Judie Douglass as Grandmother /
Beryl Te Wiata as Nanny
Mackersey / Richard Hanna as
Lindsay
PRODUCTION
DETAILS
Director Gaylene Preston /
Producer Robin Liang / Executive
Producer Dorothee Pinfold /
Designer Rick Kofoed / Editor
Paul Sutorius / Photography
Allen Guilford / Screenplay
Graeme Tetley and Gaylene
Preston
EPISODE
ONE
Sonja,
an illegitimate child, an
outsider. In the words of her
Grandmother 'a handful'. At
seven years old the small
freckled-faced child is plucked
from the security of her
Grandparent's home, and restored
to her mother and a new
stepfather. Her step-father's
conservative politics later
rival, and prove to be as firmly
held as Sonja's socialist,
Pacifist beliefs. 1941. By age
seventeen, Sonja is already
married and divorced. To her
family she is still 'a handful'.
Grandmother continues to be
concerned about Sonja's
impetuousness. Nonetheless she
defends her grand-daughter
against her parents similar
concerns. Chided about the
unhappiness she has caused her
family Sonja assures her
Grandmother that all will be
well. She has found her vocation
in nursing. She loves the work
even though it is hard - much
harder than the factory where
she was previously placed by the
wartime manpower department. And
she's made lots of new friends.
With wartime, Sonja farewells an
old friend Charlie Davies, who
is leaving for service in the
middle East. In a carnival
atmosphere that belies the
purpose of the impending voyage,
Sonja and Charlie, caught up in
the fervour and romance of the
situation agree to have 'an
understanding' during their
separation. On the Wards at
Wellington Hospital the student
nurses are overworked and ill
prepared. But there is a war on
and there is a shortage of
staff. Early on the young women
are dealing with physical and
psychological conditions they
hadn't even known existed as
well as those exacerbated by the
war. It is easy to become
dispirited by the pain and
misery around them. It is here
while struggling with the less
palatable aspects of nursing
that Sonja becomes part of a
community of women, though her
outspoken opinions are often
less than welcome and her
pacifism regarded almost as
treason. Sonja is posted to a
hospital in a country town near
a U.S. army camp. The bombing of
Pearl Harbour has brought the
war to the Pacific and thousands
of GI's to base camps in New
Zealand. At first, sceptical of
the romantic mystique of these
exotic and glamorous young men,
Sonja falls deeply in love with
Red, a young marine from
Nebraska. Her star spangled
affair is short lived when the
inevitable happens and Red's
unit embarks for an unknown
Pacific destination. Sustained
by plans for the future she
turns to her work with
vengeance, tries to repair her
relationship with her family and
guiltily arranges for another
nurse to take over the
correspondence with Charlie. As
wartime Christmas celebrations
come to a close, Sonja finds
that she is pregnant.
EPISODE
TWO
Forced
to hide her pregnancy in order
to continue her training Sonja
copes as best she can - her
personal happiness at odds with
her sure knowledge of society's
disapproval. Outspoken and
active where she perceives
injustice or unfairness, Sonja
frequently finds herself
swimming against the tide of the
times and in trouble. Her plan
to set up a nurses union is
shortlived, her attempts to
befriend a hospitalised Japanese
prisoner of war in the interests
of common humanity results in a
painful lesson about cultural
assumptions. Further assumptions
that her mother will understand
her plight, having been an
unmarried mother herself, are
also shattered. Torn between the
wishes of the husband who
'rescued' her from this same
situation and the daughter she
once produced out of wedlock,
she unhappily abandons Sonja to
her own arrangements. The birth
of her daughter Penny in a
country hospital under primitive
wartime conditions provides
Sonja's introduction to
motherhood. But she is delighted
with her red-headed daughter who
looks so like her father. When
Red's payments stop arriving a
further element of worry creeps
into her life, unable to be
resolved, Sonja and Penny return
to Wellington. Sonja's
nervousness at returning is soon
dispelled by the welcome she
receives from her parents who
are completely won over by their
first grandchild. V.E. Day
brings further happiness and
Sonja makes plans to complete
her nursing training and to set
up a home in readiness for Red's
return. Because she must work to
support her child Sonja is
worried when her routine medical
examination reveals
tuberculosis. Reassured by the
hospital that a holiday in a
warmer climate is all the
treatment required, Sonja takes
her baby with her to Hawkes Bay
to rest but her condition
deteriorates. The local doctor
is astounded at her bad
condition and orders her to
hospital. He tells Sonja she
will be isolated for at least
two and a half years. With only
one day to find term child care
for her daughter, Sonja decides
that she will prove the doctor
wrong and recover is six months.
EPISODE
THREE
Drifting
between reality and
hallucination Sonja lies in
solitary confinement in an
isolated ward. Her fears for
Penny and Red and her own
rapidly deteriorating condition
are increased by her knowledge
of the killer disease she
suffers from. Sonja is taken to
Wellington to the TB Ward where
at least she will be surrounded
by friends. But Sonja hovers
between life and death. News of
Red's death in the Pacific War,
takes her will to survive to its
lowest ebb, but an overhead
remark about her impending death
rouses Sonja. She must live for
Penny. Her contrary nature rises
to the fore and she summons the
strength to eat. Her old 'gang'
of friends is breaking up -
graduating, getting married and
settling down to post-war
domesticity. Reassuring her
friends that Penny is happy and
well cared for while begging her
mother to take the child into
the care of the family. Sonja is
forced to consider the reality
of a situation where there will
be no father to help care for
her daughter. Sonja's friend and
returned soldier Charlie Davies
is horrified by Sonja's
circumstances, he undertakes to
help her get well. Their
relationship picks up where it
left off with a comfortable
personal and political
compatibility and from Sonja's
hospital bed they put the world
to rights. Charlie has become
engaged to Anne, his faithful
correspondent, and Sonja is
careful not to let her true
reaction show. But as their
relationship intensifies his
engagement to Anne deteriorates
and eventually political
differences force its
abandonment. When Sonja is ready
to go into a Sanatorium it is
Charlie who organises her move
and arranges for her comfort.
Discovering five former nurses
in the Sanatorium and having
heard that a close friend is
diagnosed with turberculosis,
Sonja leads a public campaign
through the press to encourage
the truth about, and an
understanding of, this
occupational disease. Once
allowed home for Christmas Sonja
and Charlie fight the hospital
authorities to be allowed to
marry. Reluctantly the medical
authorities release their grip
and Sonja becomes Sonja Davies.
Before they retrieve Penny from
her foster parents, Charlie
assures Sonja that her daughter
will not suffer the same
misunderstanding that she
experienced in her relationship
with her own stepfather. Having
found a true family at last
Sonja, with her husband and
daughter, moves to the warmer
climate of Mairiri where the
family plans to plant an
orchard. Living in an army hut
without any facilities, the life
of a pioneer landholder is
physically stressful but Sonja
is also caught up in a political
battle - that of extracting from
the government of the day the
financial assistance that was
promised to all returned
soldiers, and from the Health
Department, the assistance
available to TB patients. By the
time the Davies family receive
the aid that allows them decent
accommodation, the struggle has
caused Sonja to return to
hospital, leaving Charlie and
Penny to build the new house
without her. Sonja's condition
deteriorates rapidly. At her
darkest hour Grandmother
contacts Sonja, and assures her
she will be alright. A Doctor
tells she is going to die. When
blood foams from her lungs Sonja
knows she is at the last stage
of this disease before death but
she clings to her Grandmother's
message. Charlie arrives at her
bedside, angry that no one has
notified him of Sonja's
deterioration. As he sits with
Sonja willing her not to die, a
young doctor, just returned from
the U.K appears at her bedhead.
He tells Sonja and Charlie that
a new drug has been found.
"Spitting a bit blood"
will have cleared out some of
the dead tissue. Sonja can now
expect to recover. She will be
weak for some time. Life on the
land is an impossibility. To
gain the new life Sonja needs,
the Davies family must move from
the farm and the new house they
have worked so hard for.
Undaunted, Charlie and Sonja set
up a landscape gardening
business in the small provincial
town of Nelson where they pick
up the pieces and for the first
time can seize the opportunity
to lead a full life together.
EPISODE
FOUR
Settled
in the provincial city of Nelson
where Charlie runs a thriving
landscaping business, Sonja is
making up for lost time. For the
first time she has the
opportunity to put her socialist
ideals to practical use. A
country undergoing a period of
regeneration after seven years
at war would appear to require
the input of political idealists
but the Labour Party is in
Opposition and Sonja is bemused
by the petty bureaucracy and
infighting at grass-roots level.
When the local community unites
in an effort to prevent the
Government from closing down
their railway (and economic
lifetime) Sonja joins the local
women who are frustrated by the
apparent inability of their
political leaders to do
anything, and they organise what
was to become the first protest
by women that the country had
seen. To prevent the railway
tracks being torn up the women,
'sat' on them and as the days
passed faced up to locomotives,
parties of railway officials,
government officials and
finally, the police.
International news coverage and
the arrest and subsequent court
appearance of the 'ring-leaders'
bought them the status of heroes
but also attracted large scale
disaproval in an era when women
were not commonly public
figures. However, Sonja makes
many like-minded friends, feels
the support of a community of
women and, learns of the
strength to be achieved by
working together rather than
tackling issues in a piecemeal
fashion and alone as she has
done all her life. Charlie, who
has all but lost Sonja's help in
the running of his business,
supports her efforts and helps
her to become as independent as
possible although his ideology
and his personal needs often
clash. Penny learns what it is
to have a mother in the (not
always popular) public eye and
she and Sonja comes into
conflict over the perceived
shortcomings and differences
from 'other mothers'. Family
relationships are stretched to
the limit when Sonja becomes
pregnant and then is nominated
for a position on the Hospital
Board. Charlie too has decided
to dedicate his life to politics
and accepts work as a union
delegate. Penny is being sought
for advanced training to develop
her talents as a ballet dancer.
As individuals the future looks
bright for the Davies family but
it takes a commitment to each
other which is just as strong as
their commitment to socialists
politics to resolve their
difficulties and to maintain
their cherished family unit
while pursuing individual goals
and talents.
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