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I N T E R V I E W S   

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FEATURES | INTERVIEWS | BOOK REVIEWS | DVD REVIEWS  
11 December 2004

Joan Allen on The Bourne Supremacy

In an Australian exclusive Memorable TV talks to actress Joan about The Bourne Supremacy and her career.

 

Q: So what were the challenges of this film?

J: The biggest challenge for me was, I think, the kind of dialogue that you had to say. I hadn't done material that was very sort of technical and uplinking satellite things and downlinking blah-blah-blahs, and I found that really challenging. I think I learned I should never go to CSI or anything like that because it's a little too much for me. It was hard to hold that kind of material and it made me aware for the first time how much emotional cues are what help me memorize my lines, the emotions get you to the next point, so with a character who's much more about hiding her feelings and is just giving a lot of direction and focus, you know, it was challenging, maybe I missed that gene in my brain, but it was challenging. That was probably the toughest thing.


Q: The character is very, very tough in the movie.

J: Exactly.

Q: And she knows how she can function in a male-dominated work environment.
Could you relate to this kind of woman because you also made it in showbiz
and are very successful in theatre?

J: I haven't really found it to be that way but I think it's out there a lot more in all sorts of regards than I ever sort of know. I think maybe I put blinders on to it. And I'm always surprised when I hear of some sort of sexist discrimination in another venue. I say, "That's still really happening? Aren't we passed that?" I'm always kind of surprised
by it so I haven't felt it directly but I think that I'm naive, I do. I would admit that I'm pretty naive.

Q: Things that are just coming to you?

J: You know, it's hard for everybody. There's 90% unemployment at any given time in the acting profession so the men are also in it as much as the women to a degree so I just want us all to get to the point where we're people. That's what I'm rooting for. That gender becomes less and less of an issue in life.

Q: Sharon Stone the other day was saying that once she turned 40 the work
dried up?

J: That's true.

Q: What are your views on that?

J: I do think it's harder for us gals to get good parts. I've had a lot of interesting things I've done in the last two years so I'm kind of exhilarated at this point because I will be going into my sixth film of the past two years starting in a few weeks.

Q: What do you like to do in your spare time?

J: I don't tend to have a lot of spare time. And so I love to get together with my friends because I travel so much so I love to hook up with friends as much as I can when I am home. And I spend a lot of time with my daughter and I try to get her out and doing things, we go ice skating and we try to spend a lot of time in the park.

Q: How old is she?

J: She's 10. And she loves to swim, so we try to do things like that.

Q: Is she interested in getting into your profession?

J: I don't think she wants to be an actress, really. But I think she's interested in directing and singing. She's made some movies at school and a music video because now Apple Computers have this I-Movie, where you can edit things and so she's into that sort of thing. She likes to write and she loves to give direction more than take it, so...

Q: Do you think that's a good thing?

J: I think that's a good thing. I really do think it's a good thing. I admire that in her because temperamentally I'm very different from that and I take direction a little too well and I think it's great that she has her own vision and her own direction and I really encourage her to do that. With grace and with kindness, but to do it.

Q: What do you think about Matt Damon because in the film you didn't see
each other?

J: I know, we didn't see each other. We had a scene that we shot that they chose not to use in the film, so we did get to have a little bit of dialogue with each other and I got to spend a little bit of time with him in the make-up trailer. He'd be in there sometimes shooting something else that I was doing. I got to talk to him a little bit. He's a terrific guy. Wonderful, intelligent actor and a very good human being too which I really admire and respect.

Q: Do you know what you're doing after this?

J: I'm co-producing this film and we're supposed to be shooting some time this summer and I think it's going to come together. It's an independent film called Pushers Needed, and it's a comedy with me, Maggie Smith, Kathy Bates and Claire Danes and it's about five working class Irish women who enrol to the Catholic Church sponsored program where they send people to
Lourdes to push the wheelchairs of the crippled to get cured. These women get to go to Lourdes and they've basically never been off their block before. They're poor women who've known each other for a long time, never travelled anywhere and then they get to go to Lourdes …it's a hoot. It's really funny. And they each have their own experience of going into the water themselves and it's nothing to do with drugs; it's about pushing wheelchairs.

Q: Is it hard to master the accent?

J: It's going to be challenging. The working class Irish Dublin is a kind of tough accent and we don't want to do it so heavily--I've worked there before and I've spoken with people who are from the projects there and it's hard to understand, difficult to understand, so we have to get the flavour of it, without overdoing it so we don't need subtitles.

Q: Have you been to
Lourdes ?

J: Yes, it was years ago on Easter Sunday and it was a great moment to be there. It's a fascinating place and I was just amazed by the number of people that come there from all over the world. There are people with all sorts of maladies and illnesses, wearing outfits and carrying flags and so as an actor I was totally fascinated by the experience of what people hope for there. You get a sense it's a lot of poor people around the world and
they bring busloads of people in and then right outside are all these kiosks--"Get your holy water...get your glowing statue of the Virgin Mary"…

Q: Ten dollars.

J: Exactly. Which is fascinating too. It almost has a sort of a carnival feel right outside the grotto area.

Q: Do you still do theatre?

J: I haven't done theatre for a long time and I have no plans to.

Q: Why not?

J: It doesn't interest me as much as it used to. I did it for so many years. I loved going to the theatre and doing the same role every night but now it's just not as interesting to me to get there and - "now let's do it again" and "now let's do it again." And it just doesn't hold my attention as much. I'd rather work on a character and then do different scenes every day and be working on something that's different. But you never know, I may go back to it someday.

Q: How do you see mainstream entertainment today? Do you see Bourne
Supremacy as an anomaly?

J: A little bit. I think it's set apart a little bit. I think it's very entertaining but I also think it's intelligent and I think Matt somehow has created this character where you really care what happens to this guy and that's not an easy thing to pull off because he could be
this super-killer and he just pulls it off. A lot of it is what he brings to it.

Q: Would you be around for a third one?

J: Yeah! If they do it and they want me, definitely, I would be up for it. We'll see how it goes.

Q: How much time did you spend memorizing the lines?

J: I spent quite a bit of time. One of the tricky things too is that they were trying to make the story line as clear as they could because there was a certain amount of background information and all this stuff and so they kept working on it. Sometimes I'd work on lines and then I'd get a new set of them and I'd have to drill them as much as I could beforehand so...these lines were harder for me to memorize so I spent more time trying to memorize these lines than I did on other scripts that are more emotionally-based than cerebral.


Q: Was becoming an actress a kind of therapy for you because I read a
statement from you that you were very shy when you were a kid and the
theatre was a place where you could cry and show your emotions?

J: Yeah, I think so. I think it was a helpful outlet to express things that I just didn't feel comfortable doing in life, and I don't think I'm alone in that. I think a lot of actors do that and comedians too - a lot are very sort of inward and may have sad lives but they've used their comedy to break out.

Q: Are you more extroverted now?

J: I'm slowly trying and it still is evolving. I'm more extroverted now than I've ever been in my life and I make a conscious effort to try to do so.

Q: Does it feel good?

J: It does feel good. I'm liking it more and more. I'm never going to be the most extroverted person in the world but I have made strides and there are a lot of aspects of it that I'm beginning to enjoy more and more, being out there and being more social.

Q: When you watch yourself on screen do you like it or?

J: I can watch myself on screen. When we're filming I actually like to watch playback quite a bit and see what's going on. I can go, "Ooh, I don't like that" or I can separate myself. The first time seeing the whole thing put together is always kind of like... [Laughter]  because you're thinking so much, you're kind of removed from it because
you're thinking of what happened on that day. You can't just take it in, the first time you're thinking about so many different things so I tend to watch them two or three times after that and then I tend to not watch them again. So when they come out I'll watch them a
fair amount of times. I did show my daughter Face Off a couple of weeks ago and I hadn't seen that film since it came out and I thought, "This film is cool. It's really cool." It's like The Bourne Supremacy, the same intelligence and you care about the same thing. It's smart.

Memorable TV would like to thank Joan Allen for the interview.


 


                              

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