Spellbound (United Artists 1945, Gregory Peck, Ingrid Bergman)


Alfred Hitchcock’s psychological mystery Spellbound makes engrossing use of the contemporary fascination with Freudian analysis. It stars Ingrid Bergman as a coolly intellectual analyst who grows to suspect that the new director of the institute (Gregory Peck) is not who he claims to be.

As a bond of love grows between the two, Bergman is torn between her rational fear that Peck may be the murderer of the director they were expecting, and her heart telling her that he’s an innocent man suffering an emotional trauma. As her love opens mental doors for Peck, the experience brings warmth to Bergman’s character.

The typical mystery-story chase sequence is here a search for clues in Peck’s psyche. The production began with producer Selznick’s interest in analysis. It features famous set pieces depicting Peck’s mental state, including a dream sequence designed by surrealist artist, Salvador Dali. The sequence (Dali created material for 22 minutes, nearly all of it cut) was directed by an uncredited William Cameron Menzies.

Academy Award Nominations: 6, including Best Picture; Best Director.

Cast: Gregory Peck, Ingrid Bergman, Leo G. Carroll, Rhonda Fleming, Steven Geray,

Director: Alfred Hitchcock
Producer: David O. Selznick
Director of Photography: George Barnes
Editor: William Ziegler
Composer: Miklos Rozsa
Screenwriter: Ben Hecht
Production Designer: James Basevi

USA / United Artists / 111 minutes / 1945

Other posts featuring the following