Play
with the Old King Cole
That I may join with you
All your hearts now seem so far
from me
It hardly seems to matter now
And the nurse will tell you lies
Of a kingdom beyond the skies
But I am lost within this
half-world
It hardly seems to matter now
Play me my song - here it comes
again
Play me my song - here it comes
again
Just a little bit, just a little
bit more time
Time left to live out my ?ideal
life
La la la la....
Play me my song - here it comes
again
Play me my song - here it comes
again
Old King Cole was a merry old soul
And a merry old soul was he
So he called for his pipe
And he called for his bowl
And he called for his fiddlers
three
But the clock - tick-tock - on the
mantlepiece
And I want and I feel and I know
and I touch
Her warmth
She's a lady, she's got time
Brush back your hair and let me
get to know your face
She's a lady, she is mine
Oh brush back your hair and let me
get to know your flesh
I've been waiting here for so long
And all this time has passed me by
It doesn't seem to matter now
You stand there with your fixed
expression
Casting doubt on all I have to say
Why don't you touch me, touch me
Why don't you touch me, touch me
Touch me now, now, now, now, now
Now, now, now, now, now
Now, now, now, now, now
Now, now, now, now
Now, now, now, now
from
Nursery Cryme (1971)
Supper's
Ready
(Genesis)
1. Lovers'
Leap
Walking
across the sitting-room, I turn
the television off
Sitting beside you, I look into
your eyes
As the sound of motor cars fades
in the night time
I swear I saw your face change, it
didn't seem quite right
And it's hello babe with your
guardian eyes so blue
Hey my baby don't you know our
love is true
Coming closer with our eyes
A distance falls around our bodies
Out in the garden, the moon seems
very bright
Six saintly shrouded men move
across the lawn slowly
The seventh walks in front with a
cross held high in hand
And it's hey babe your supper's
waiting for you
Hey my baby, don't you know our
love is true
I've been so far from here
Far from your warm arms
It's good to feel you again
It's been a long long time, hasn't
it?
2. The Guaranteed Eternal
Sanctuary Man
I know a farmer who looks
after the farm
With water clear, he cares for all
his harvest
I know a fireman who looks after
the fire
You, can't you see he's fooled you
all
Yes, he's here again, can't you
see he's fooled you all
Share his peace, sign the lease
He's a supersonic scientist
He's the guaranteed eternal
sanctuary man
Look, look into my mouth he cries
And all the children lost down
many paths
I bet my life you'll walk inside
Hand in hand, gland in gland
With a spoonful of miracle
He's the guaranteed eternal
sanctuary man
We will rock you, rock you little
snake
We will keep you snug and warm
3. Ikhnaton And Itsacon And
Their Band Of Merry Men
Wearing feelings on our faces
while our faces took a rest
We walked across the fields to see
the children of the West
But we saw a host of dark skinned
warriors
Standing still below the ground
Waiting for battle
The fight's begun, they've been
released
Killing foe for peace - bang,
bang, bang - bang, bang, bang
And they're giving me a wonderful
potion
'Cos I cannot contain my emotion
And even though I'm feeling good
Something tells me I'd better
activate my prayer capsule
Today's a day to celebrate, the
foe have met their fate
The order for rejoicing and
dancing
Has come from our warlord
4. How Dare I Be So Beautiful?
Wandering through the chaos
the battle has left
We climb up a mountain of human
flesh
To a plateau of green grass, and
green trees full of life
A young figure sits still by a
pool
He's been stamped "Human
Bacon" by some butchery tool
He is you
Social Security took care of this
lad
We watch in reverence, as
Narcissus is turned to a flower
A flower?
5. Willow Farm
If you go down to Willow Farm
To look for butterflies,
flutterbyes, gutterflies
Open your eyes, it's full of
surprise, everyone lies
like the focks on the rocks
And the musical box
Oh, there's Mum & Dad, and
good and bad
And everyone's happy to be here
There's Winston Churchill dressed
in drag
He used to be a British flag,
plastic bag, what a drag
The frog was a prince, the prince
was a brick
The brick was an egg, the egg was
a bird
Fly away you sweet little thing,
they're hard on your tail
Hadn't you heard?
They're going to change you into a
human being!
Yes, we're happy as fish and
gorgeous as geese
And wonderfully clean in the
morning
We've got everything, we're
growing everything
We've got some in
We've got some out
We've got some wild things
floating about
Everyone, we're changing everyone
You name them all
We've had them here
And the real stars are still to
appear
All change!
Feel your body melt
Mum to mud to mad to dad
Dad diddley office, Dad diddley
office
You're all full of ball
Dad to dam to dum to mum
Mum diddley washing, Mum diddley
washing
You're all full of ball
Let me hear you lies, we're living
this up to the eyes
Ooee-ooee-ooee-oowaa
Momma I want you now
And as you listen to my voice
To look for hidden doors, tidy
floors, more applause
You've been here all the time
Like it or not, like what you got
You're under the soil - the soil,
the soil
Yes, deep in the soil - the soil,
the soil, the soil!
So we'll end with a whistle and
end with a bang
And all of us fit in our places
6. Apocalypse In 9/8
(Co-Starring The Delicious Talents
Of Gabble Ratchet)
With the guards of Magog,
swarming around
The Pied Piper takes his children
underground
Dragons coming out of the sea
Shimmering silver head of wisdom
looking at me
He brings down the fire from the
skies
You can tell he's doing well by
the look in human eyes
Better not compromise
It won't be easy
666 is no longer alone
He's getting out the marrow in
your back bone
And the seven trumpets blowing
sweet rock and roll
Gonna blow right down inside your
soul
Pythagoras with the looking glass
reflects the full moon
In blood, he's writing the lyrics
of a brand new tune
And it's hey babe, with your
guardian eyes so blue
Hey my baby, don't you know our
love is true
I've been so far from here
Far from your loving arms
Now I'm back again, and babe it's
gonna work out fine
7. As Sure As Eggs Is Eggs
(Aching Men's Feet)
Can't you feel our souls
ignite
Shedding ever changing colours
In the darkness of the fading
night
Like the river joins the ocean, as
the germ in a seed grows
We have finally been freed to get
back home
There's an angel standing in the
sun
And he's crying with a loud voice
"This is the supper of the
mighty one"
Lord of Lords
King of Kings
Has returned to lead his children
home
To take them to the new Jerusalem
from
Foxtrot (1972)
high.pos.
chart entry
GB
18
4/74
D
-
US
-
I
Know What I Like (In Your
Wardrobe)
(Genesis)
It's
one o'clock and time for lunch
When the sun beats down and I lie
on the bench
I can always hear them talk
There's always been Ethel:
"Jacob, wake up! You've got
to tidy your room now"
And then Mister Lewis:
"Isn't it time that he was
out on his own?"
Over the garden wall, two little
lovebirds - cuckoo to you!
Keep them mowing blades sharp ....
I know what I like, and I like
what I know
Getting better in your wardrobe,
stepping one beyond your show
Sunday night, Mr Farmer called,
said:
"Listen son, you're wasting
your time
There's a future for you in the
fire escape trade
Come up to town!"
But I remembered a voice from the
past
"Gambling only plays when
you're winning"
I had to thank old Miss Mort for
schooling a failure
Keep them mowing blades sharp ...
I know what I like, and I like
what I know
Getting better in your wardrobe,
stepping one beyond your show
And I know what I like, and I like
what I know
Getting better in your wardrobe,
stepping one beyond your show
When the sun beats down and I lie
on the bench
I can always hear them talk
Me, I'm just a lawnmower - you can
tell me by the way I walk
from
Selling England By The Pound
(1973)
The
Lamb Lies Down On Broadway
(Genesis)
And the
lamb lies down on Broadway
Early morning Manhattan
Ocean winds blow on the land
The movie-palace is now undone
The all-night watchmen have had
their fun
Sleeping cheaply on the midnight
show
It's the same old ending - time to
go - get out!
It seems they cannot leave their
dream
There's something moving in the
sidewalk steam
And the lamb lies down on Broadway
Nightime's flyers feel their pains
Drugstore takes down the chains
Metal motion comes in bursts
The gas station can quench that
thirst
Suspension cracked on unmade road
The trucker's eyes read 'overload'
And out of the subway Rael
imperial aerosol kid
Exits into daylight, spraygun hid
And the lamb lies down on Broadway
The lamb seems right out of place
Yet the Broadway street scene
finds a focus in its face
Somehow it's lying there, brings a
stillness to the air
Though man-made light, at night is
very bright
There's no whitewash victim
As the neons dim, to the coat of
white
Rael imperial aerosol kid
Wipes his gun - he's forgotten
what he did
And the lamb lies down on Broadway
Suzanne tired her work all done
Thinks money – honey - be
on-neon
Cabman's velvet glove sounds the
horn
And the sawdust king spits out his
scorn
Wonder women you can draw your
blind!
Don't look at me! I'm not your
kind - I'm Rael!
Something inside me has just begun
Lord knows what I have done
And the lamb lies down on Broadway
- on Broadway
On Broadway - on Broadway ....
They say the lights are always
bright on Broadway
They say there's always magic in
the air
They say the lights are always
bright on Broadway ....
from
Lamb Lies Down On Broadway (1974)
Carpet
Crawl
(Genesis)
There
is lambswool under my naked feet
The wool is soft and warm
Gives off some kind of heat
A salamander scurries into flame
to be destroyed
Imaginary creatures are trapped in
birth on celluloid
The fleas cling to the golden
fleece
Hoping they'll find peace
Each thought and gesture are
caught in celluloid
There's no hiding in memory
There's no room to avoid
The crawlers cover the floor in
the red ochre corridor
For my second sight of people,
they've more lifeblood than before
They're moving in time to a heavy
wooden door
Where the needle's eye is winking,
closing on the poor
The carpet crawlers heed their
callers:
"We've got to get in to get
out
We've got to get in to get out
We've got to get in to get
out"
There's only one direction in the
faces that I see
It's upward to the ceiling, where
the chambers said to be
Like the forest fight for
sunlight, that takes root in every
tree
They are pulled up by the magnet,
believing they're free
The carpet crawlers heed their
callers:
"We've got to get in to get
out
We've got to get in to get out
We've got to get in to get
out"
Mild mannered supermen are held in
kryptonite
And the wise and foolish virgins
giggle with their bodies glowing
bright
Through the door a harvest feast
is lit by candlelight:
It's the bottom of a staircase
that spirals out of sight
The carpet crawlers heed their
callers:
"We've got to get in to get
out
We've got to get in to get out
We've got to get in to get
out"
The porcelain mannikin with
shattered skin fears attack
And the eager pack lift up their
pitchers - they carry all they
lack
The liquid has congealed, which
has seeped out through the crack
And the tickler takes his
stickleback
The carpet crawlers heed their
callers:
"We've got to get in to get
out
We've got to get in to get out
We've got to get in to get
out"
Got to get in - get to get out
Got to get in - get to get out
....
The carpet crawlers heed their
callers: ....
from
Lamb Lies Down On Broadway (1974)
Blood
On The Rooftop
(Steve
Hackett/Phil Collins)
Dark
and grey, an English film, the
Wednesday Play
We always watch the Queen on
Christmas Day
Won't you stay?
Though your eyes see shipwrecked
sailors you're still dry
The outlook's fine though Wales
might have some rain
Saved again
Let's skip the news boy - I'll
make some tea
Arabs and the Jews boy - too much
for me
They get me confused boy - puts me
off to sleep
And the thing I hate - oh Lord!
Is staying up late, to watch some
debate on some nation's fate
Hypnotised by Batman, Tarzan,
still surprised!
You've won the West in time to be
our guest
Name your prize!
Drop of wine, a glass of beer,
dear, what's the time?
The grime on the Tyne is mine all
mine all mine
Five past nine
Blood on the rooftops - Venice in
the Spring
The Streets of San Francisco - a
word from Peking
The trouble was started by a young
Errol Flynn
Better in my day - oh Lord!
For when we got bored, we'd have a
world war, happy but poor
So let's skip the news boy - I'll
go and make that tea
Blood on the rooftops - too much
for me
When old Mother Goose stops
they're out for 23
Then the rain at Lords stopped
play
Seems Helen of Troy has found a
new face again
from
Wind & Wuthering (1976)
high.pos.
chart entry
US
91
3/77
GB
-
D
-
Your
Own Special Way
(Mike
Rutherford)
Go far
enough and you will reach
A place where the sea runs
underneath
And we'll see our shadow, high in
the sky
Diving away in the night
I've sailed the world for seven
years
And left all I love behind in
tears
Won't you come here, wherever you
are
I've been alone long enough
You, you have your own special way
Of holding my hand keep it way 'bove
the water
Don't ever let go - oh no, no, no
You, you have your own special way
Of turning the world so it's
facing the way that I'm going
Don't ever, don't ever stop
Whose seen the wind not you or I
But when the ship moves she's
passing by
Between you and me I really don't
think
She knows where she's going at all
You, you have your own special way
Of carrying me twice round the
world
Never closer to home than the day
The day I started
You, you have your own special way
Hold onto my hand keep it way 'bove
the water
Don't ever let go - no, no, no
What mean the dreams night after
night
The man in the moon's a blinding
light
Won't you come out whoever you are
You've followed me quiet long
enough
You, you have your own special way
Of holding my hand - don't ever
let go
You, you have your own special way
Of turning the world so it's
facing
The way that I'm going
Don't ever, don't ever leave me
from
Wind & Wuthering (1976)
high.pos.
chart entry
GB
15
6/77
D
-
US
-
Match
Of The Day
(Collins/Banks/Rutherford)
There's
the Reds and there's the Greens
Super slicks and has beens
And they're accompanied by three
men dressed in black
One's a whistle, two are flags,
and quite often they're the drags
Kick the ball into the goal, they
put it back
Yes match of the day's
The only way to spend your
Saturday
Each side's eleven men, with
numbers on their backs
But at a distance they all tend to
look the same
But some own their boutiques, well
they clean up every week
Inciting riots, causing chaos,
such a shame!
But match of the day's
The only way we spend our Saturday
And that's not all, our mates the
keepers
Slippin' and sliding in the mud
arms as long as creepers
Send him off, Ref'
Where are your specs, Ref'
Kick you to death, Ref'
Oi! Are you deaf, Ref'
There's a few things before we go
That I think you ought to know
Obstruction, body checking, heavy
tackles
So put on your hat and scarf
Have a drink, have a larf'
From the terrace you can see your
men do battle
Yes match of the day's
The only way you can spend your
Saturday
Don't forget, the trainers with
their sponges
Managers with open cheques, liquid
business lunches
Send 'em off, Ref'
Where are your specs, Ref'
Kick you to death, Ref'
Oi! Are you deaf, Ref'
from
Spot The Pigeon (EP 1977)
high.pos.
chart entry
GB
6
3/78
D
8
4/78
US
27
4/78
Follow
You, Follow Me
(Rutherford/Banks/Collins)
Stay
with me
My love, I hope you'll always be
Right here by my side if ever I
need you
Oh my love
In your arms
I feel so safe and so secure
Everyday is such a perfect day to
spend
Alone with you
I will follow you, will you follow
me
All the days and nights that we
know will be
I will stay with you, will you
stay with me
Just one single tear in each
passing year
With the dark
Oh, I see so very clearly now
All my fears are drifting by me so
slowly now
Fading away
I couldn't say
The night is long but you are here
Close at hand, though I'm better
for the smile you give
And while I live
I will follow you, will you follow
me
All the days and nights that we
know will be
I will stay with you, will you
stay with me
Just one single tear in each
passing year there will be
I will follow you ....
from
...And Then There Were Three
(1978)
high.pos.
chart entry
GB
22
7/78
D
43
8/78
US
-
Many
Too Many
(Banks)
Many
too many have stood where I stand
Many more will stand here too
I think what I find strange is the
way you built me up
Then knocked me down again
The part was fun but now it's over
Why can't I just leave the stage?
Maybe that's because you securely
locked me up
Then threw away the key
Oh mama, please would you find the
key
Oh pretty mama, please won't you
let me go free
I thought I was lucky
I thought that I'd got it made
How can I be so blind?
You said good-bye on a corner
That I thought led to the straight
You set me on a firmly laid and
simple course
And then removed the road
Oh mama, please help me find my
way
Oh pretty mama, please lead me
through the next day
I thought I was lucky
Oh I thought that I'd got it made
How can I be so blind? Oh no
from
...And Then There Were Three
(1978)
high.pos.
chart entry
GB
11
3/80
D
66
5/80
US
60
8/80
Turn
It On Again
(Tony
Banks/Phil Collins/Mike
Rutherford)
All I
need is a TV-show, that and the
radio
Down on my luck again, down on my
luck again
I can show you, I can show you
Some of the people in my life
I can show you, I can show you
Some of the people in my life
It's driving me mad, just another
way of passing the day
I, I get so lonely when she's not
there, I, I, I ...
You're just another face that I
know from the TV-show
I have known you for so very long,
I feel you like a friend
Can't you do anything for me
Can I touch you for a while
Can I meet you another day and we
will fly away
I can show you, I can show you
Some of the people in my life
I can show you, I can show you
Some of the people in my life
It's driving me mad, just another
way of passing the day
I, I get so lonely when she's not
there, I, I, I ...
Turn it on, turn it on ....
from
Duke (1980)
high.pos.
chart entry
US
9
5/80
GB
-
D
-
Misunderstanding
(Phil
Collins)
There
must be some misunderstanding
There must be some kind of mistake
I waited in the rain for hours
And you were late
Now it's not like me to say the
right thing
But you could've called to let me
know
I checked your number twice, don't
understand it
So I went home
Well I'd been waiting for this
weekend
I thought that maybe we could see
a show
Never dreamed I'd have this
feeling
Oh but seeing you is believing
That's why I don't know why
You didn't show up that night
There must be some
misunderstanding
There must be some kind of mistake
I was waiting in the rain for
hours
And you were late
Since then I've been running
around trying to find you
I went to the places that we
always go
I rang your home but got no answer
Jumped in my car, I went round
there
Still don't believe it
He was just leaving
There must be some
misunderstanding
There must be some kind of mistake
...
from
Duke (1980)
high.pos.
chart entry
GB
5
8/81
D
28
10/81
US
26
1/82
Abacab
(Rutherford/Banks/Collins)
Look up
on the wall there on the floor
Under the pillow behind the door
There's a crack in the mirror
Somewhere there's a hole in the
window pane
Do you think I'm to blame
Tell me do you think I'm to blame
(When we do it) You're never there
(When you show it) You stop and
stare
(Abacab) He's in anywhere
(Abacab)
If you're wrapping up the world
Cause you've taken someone else's
girl
When they turn on the pillow
Even when they answer the
telephone
Don't you think that by now
Tell me don't you think that by
now
(When we do it) You're never there
(When you show it) You stop and
stare
(Abacab) He's in anywhere
(Abacab) Doesn't really care
You want it, you've got it
Now you know
You want it, you've got it
Now you know
It's an illusion, it's a game
Or reflection of someone else's
name
When you wake in the morning
Wake and find you're covered in
cellophane
Well there's a hole in the
somewhere
Yeah there's a hole in the
somewhere
Baby there's a hole in the
somewhere
Now there's a hole in the
somewhere
(When we do it) You're never there
(When you show it) You stop and
stare
(Abacab) He's in anywhere
(Abacab)
Paperlate,
paperlate, paperlate, paperlate
Paperlate, I'm sorry but there's
no one on the line
Paperlate, I'm sorry but rest
easy, no news is good news
It's too easy to live like
clockwork
Tick tock watching the world go by
And a change would take too long
so dry your eyes
It's too easy to live in a cold
sweat
Just sitting dripping in pools
below
You can wipe your face, kill the
pain, but the fever won't go
Paperlate, pull it together now,
put your feet back on the ground
Paperlate, don't worry now, you're
not alone, just look around you
Paperlate, I'm sorry but there's
no one on the line
Paperlate, I'm sorry but rest
easy, no news is good news
It's too easy to compute your
future
Taking no risks and playing too
Any change would take too long, so
dry your eyes
It's too easy to talk about
rocking the boat
Making changes and changing track
But you better not lock that door,
'cos you'll be coming back
You're breathing faster, silence
the only sound
There's no need to be nice on the
way up
'cos you're not coming down
Paperlate, paperlate, paperlate,
paperlate
Paperlate, paperlate, paperlate,
paperlate
Paperlate, I'm sorry but there's
no one on the line
Paperlate, I'm sorry but rest
easy, no news is good news
* from
3x3 ep (1982)
high.pos.
chart entry
GB
2
9/83
D
4
10/83
US
73
10/83
Mama
(Anthony
Banks/Phil Collins/Michael
Rutherford)
I can't
see you, mama, but I can hardly
wait
Ooh, to touch and to feel you,
mama, oh, I just can't keep away
In the heat and the steam of the
city
Oh, it's got me running and I just
can't brake
So say you'll help me, mama, 'cos
it's getting so hard - oh
Now I can't keep you, mama, but I
know you're always there
You listen, you teach me, mama,
and I know inside you care
So get down, down here beside me,
oh, you ain't going nowhere
No, I won't hurt you, mama, but
it's getting so hard - oh
Ha-ha ha ....
Can't you see me, yeah mama, mama,
mama, mama, please?
Can't you feel my heart? Can't you
feel my heart?
Can't you feel my heart?
Oh, now listen to me, mama, mama,
mama
You're taking away my last chance
Don't take it away, can't you feel
my heart?
Ha-ha ha ....
It's hot, too hot for me, mama,
but I can hardly wait
My eyes they're burning, mama, and
I can feel my body shake
Don't stop, don't stop me, mama,
oh make the pain, make it go away
No, I won't hurt you, mama, but
it's getting so hard - oh
Now I can't see you, mama, but I
know you're always there
You taunt, you tease me, mama
But I never, never, never can keep
away
It's the heat and the steam on the
city
Oh, got me running, and I just
can't break
So stay, don't leave me, mama, 'cos
it's getting so hard - oh
Don't go, no, no, don't go
Don't go, don't go ....
from
Genesis (1983)
high.pos.
chart entry
GB
18
11/83
US
6
12/83
D
27
1/84
That's
All
(Anthony
Banks/Philip Collins/Michael
Rutherford)
Just as
I thought it was going alright
I find out I'm wrong when I
thought I was right
'S always the same, it's just a
shame, that's all
I could say day and you'd say
night
Tell me it's black when I know
that it's white
'S always the same, it's just a
shame and that's all
I could leave but I won't go tho'
my heart might tell me so
I can't feel a thing from my head
down to my toes
So why does it always seem to be
me looking at you
You looking at me, it's always the
same, it's just a shame, that's
all
Turning me on, turning me off,
making me feel like I want too
much
Living with you's just putting me
thru' it all of the time
Running around staying out all
night taking it all instead of
taking one bite
Living with you's just putting me
thru' it all of the time
I could leave but I won't go but
it'd be easier I know
I can't feel a thing from my head
down to me toes
But why does it always seem to be
me looking at you
You looking at me it's always the
same, it's just a shame, that's
all
Truth is I love you more than I
wanted to
There's no point in trying to
pretend
There's been no one who makes me
feel like you do
Say we'll be together till the end
I could leave but I won't go but
it'd be easier I know
I can't feel a thing from my head
down to me toes
But why does it always seem to be
me looking at you
You looking at me it's always the
same, it's just a shame, that's
all
But I love you more than I wanted
to
There's no point in trying to
pretend
There's been no one who makes me
feel like you do
Say we'll be together till the end
But as I thought it was going
alright
I find out I'm wrong when I
thought I was right
'S always the same, it's just a
shame, that's all
I could say day and you'd say
night
Tell me it's black when I know
that it's white
'S always the same, it's just a
shame and that's all
That's all