Classic TV Revisited: The Sweeney

Starring John Thaw, Dennis Waterman

Why was it golden? The relationship between boozy, maverick DI Jack Regan and side-kick George Carter. It was the first TV cop show not to depict the police as whiter-than-white heroes.

How did it all start? It was a spin-off of Troy Kennedy-Martin’s 1974 Armchair Cinema play Regan. It ran for 52 episodes on ITV from 1975 to 1978 and quickly gained a cult popularity. The title came from Sweeney Todd, Cockney rhyming slang for Flying Squad.

Tell me more about the main characters. John Thaw’s Regan was foul-mouthed, violent and promiscuous. No wonder his wife left him. Carter (Dennis Waterman) became increasingly like Regan after his wife died as they lurched from pub to pub and from woman to woman.

Who else was in it? Garfield Morgan was Regan’s sniping boss Haskins and there were guest appearances by Morecambe and Wise appearing as themselves threatened by Arab villains. Other guests included Diana Dors and George Cole.

Didn’t it cause a bit of a stir? TV watchdog Mary Whitehouse hated the sex and bad language and there was great concern about the violence. But to its many fans the only violent aspect was the clash of colours between Regan’s outsize ties and his jackets.

It made a fashion statement then? Not really, although John Thaw kept some kipper ties and jackets as mementoes for a while.

Did it have any other memorable features? The jazzy signature tune is unforgettable. Other catchphrases were “Shut it!” and: “We’re The Sweeney, son and we haven’t had any dinner.”

Why did it end? The show made John Thaw and Dennis Waterman huge stars and after nearly four years and two spin-off films they wanted to do other things.

What were they? You’d have to have lived on another planet not to know that Thaw went on to do Inspector Morse and Kavanagh QC. Waterman made Minder with George Cole and then Staying Lucky, On The Up and Circle Of Deceit.

Could it ever be revived? A less than stellar big screen movie with Ray Winstone wasn’t quite up to muster.

Not to be confused with: The Tweenies, Morse, weenyboppers, Miss Marple.

Alastair James is the editor-in-chief of Memorable TV, leading the charge in covering today's must-see television. A lifelong television enthusiast, his passion began with a deep dive into the world of classic sci-fi, culminating in his role as editor of "Beyond the Static," a publication devoted to celebrating iconic sci-fi series. While his love for classic television remains, Alastair's focus at Memorable TV is firmly on the present, analyzing the latest trends in the television landscape, from gripping crime dramas to the ever-evolving strategies of Survivor. His insights have been featured in numerous publications. At Memorable TV, Alastair's goal is to provide readers with sharp commentary, engaging reviews, and in-depth analysis of the shows dominating the current conversation.