Roger Allam returns to Endeavour for it’s fourth season as Detective Inspector Fred Thursday. Here he talks about how much enftoys the role and filming at Buckingham Palace.
How does it feel to return to the role of DI Thursday and where do we find him at the beginning of the series?
“It’s great coming back to him. I’ve always enftoyed playing Fred. At the beginning of this series, it’s only a few weeks after the last one and the big emotional story is really Joan and what’s happened to her. She’s left home and she’s not contacted them so they’ve no idea where she is. There’s a huge difference between the Thursday household at the beginning of this series and how we’ve seen it in other series in which it’s been this incredible Dickensian place of warmth and domesticity which Endeavour is on the outside of.”
“Win reacts by firstly by thinking she has to keep herself occupied so she gets a cleaning job and starts to go to Keep Fit classes, whilst Fred going into a hugely depressive slump and doesn’t seem engaged with work anymore. Then, as the series progresses, Win becomes very depressed. She forgets about the cleaning and the Keep Fit and gets very low as Joan hasn’t rung and Fred hasn’t been able to find her even though he’d been puttng out the feelers. He then discovers that Endeavour found out where Joan was and went to see her but didn’t tell him. This results in a great deal of scratchiness between them.”
Does this tension affect their professional relationship as well as their personal one?
“Occasionally it does a bit, but they still work as a team. There’s always been Endeavour’s slight disapproval of Fred using his fists and being much looser with the rules – being less correct than Endeavour is – so that’s still there too.”
Do you think this is why they work well together? They almost form a good cop, bad cop duo?
“There’s an element of good cop, bad cop, but what Fred saw in Endeavour right from the off was that he was someone that brought something else to the team, the collective enterprise.”
What kinds of complex cases can viewers expect to see this series?
“In the first one, we see an early computer the size of a large room, playing chess. Eventually, something that computer can do helps in the solving of the case. There’ve been these strange multiple drownings. The first one seems like a potential suicide and there’s a lot of tension between Endeavour and Thursday over that as Fred doesn’t think there’s a link between the first two drownings and Endeavour thinks there probably is. Irritatingly, he’s right!”
This series is set in 1967 – what do you think being set in this era brings to the series?
“I think it’s interesting both for people who lived through that era and for people who are younger than that. Just to see how we were, not so very long ago. How we didn’t have phones or computers and stuff that we now take for granted. There weren’t nearly so many cars around, there weren’t hundreds of television channels – things like that. The different way that we lived then but also the very similar way. There’s always a whodunit, as well the emotional story of the regular characters.”
You’ve filmed in some brilliant locations again this series. Which did you enjoy most?
“We filmed at Buckingham Palace, but for not long at all. We also went to West Wycombe House where curiously I’d done a film the Autumn before so I was very familiar with it, but it was very strange being back there.”
“It’s also lovely going to Oxford, but very difficult to film in as you’re doing a period drama in Oxford where it’s very crowded. For any outside or street scene, the art department have to try to clear away anything that reminds us that this is the present day. So it’s quite a business filming in Oxford.”
2017 marks the 30th anniversary of Morse on ITV. How does it feel to be part of such a well-loved British institution?
“It’s great, it’s lovely. People who watched the original Morse seem to love the series and people who didn’t also seem to love it. It’s not something that you’re especially conscious of though when filming. You’re just making the script in front of you.”
Can we expect any familiar guest stars, cameos or characters from the Morse series in the new films?
“James Laurenson stars who I’d never worked with before, as well as Michael Pennington who I’ve known for many, many years but never worked with either.”
Endeavour’s fourth season premieres on ITV on Sunday 8 January 2017 at 8.00pm.
and this just in
Love Boat, The (ABC 1977-1986, Gavin MacLeod, Lauren Tewes)
‘Love, exciting and new… Come aboard, we’re expecting you…’ These lyrics, intoned in a Vegas-smooth style by Jack Jones, ushered...
Dig (USA Network 2015, Jason Isaacs, Anne Heche)
An action thriller, Dig tells the story of a murder mystery set against the backdrop of modern day Jerusalem, a...
Family Affair (CBS 1966-1971, Brian Keith, Sebastian Cabot)
Sitcom. Archetypal bachelor Bill Davis has his good times put to a stop when he takes in the three kids...
Artemis ’81 (BBC-1 1981, Sting, Hywel Bennett)
Scifi drama. A young student gets caught up in a mighty battle between the forces of good and a terrible...
Ed Sullivan Show, The (CBS 1948-1971)
Often, talk show hosts are charming and competent on camera, and maybe not the most business-savvy off-screen. Ed Sullivan was...
Playing for Keeps: Episode 2 (Channel 10 26 Sep 2018)
Episode 2: Following a devastating tragedy, the Southern Jets players and their families try to wrap their heads around the...
Bite Club: Episode 7 (Channel 9 26 Sep 2018)
Episode 7: Zoe investigates the mysterious death of a young woman on the beach. The hunt for the serial killer...
Taskmaster: Season 7 Episode 4 airs 26 Sep 2018 on Dave
Episode 4: Jessica Knappett piles shoes on a butcher’s scales, James Acaster tries an emergency alarm and Rhod Gilbert smears...
My House in Umbria (2003, Maggie Smith, Ronnie Barker)
Richard Loncraine’s film stars Maggie Smith as Emily Delahunty, a spinster of a certain age who lives in Umbria. Boarding...
Ghost of a Chance, A (CFF 1967, Ronnie Barker, Bernard Cribbins)
In Children’s Film Foundation spooky comedy A Ghost of a Chance, a trio of children try to fight against the...
It Should Happen to You (Columbia 1954, Judy Holliday, Jack Lemmon)
One of the best of the tragically few Judy Holliday comedies, and one of her best performances. As aspiring actress...