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Ten Pound Poms Interviews: Michelle Keegan

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Ten Pound Poms Interviews: Michelle Keegan

The new original drama series Ten Pound Poms was created by Danny Brocklehurst (Brassic, Ordinary Lies) and is being produced by Eleven, the same company responsible for the critically acclaimed Sex Education. The series, which was created by the BBC and Stan, will debut on BBC One and BBC iPlayer in the United Kingdom and as a Stan Original Series in Australia.

The plot of the six-part series centres on a group of British people who, in 1956, flee the gloom of post-war Britain for a chance at a new life on the other side of the world. They were told that for just ten pounds, they could have a nicer home, better job opportunities, and a higher quality of life by the beach in Australia. However, the newcomers quickly discover that life in Australia is far from the fairytale they had been led to expect. We witness their trials and tribulations as they adjust to life in a foreign land, far from home and British culture.

Michelle Keegan plays Kate who different reasons for making the journey to Australia.

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Who do you play?

My character Kate is a nurse who has left the UK to go to Australia for a very different reason from the rest of the characters. She has an emotional connection to the country and we find out as the show progresses what her intentions are and why she has gone there.

What was it like filming in Australia?

I absolutely loved filming in Australia. I mean, when I first got there the weather wasn’t great, I’m not going to lie, but as a country I really enjoyed it. In fact, in a way my journey to Australia has parallels with Kate’s. It was my first time too and I didn’t know what to expect, I came on my own which was quite scary, but it’s been such an incredible experience.

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This isn’t the first time you’ve worked with writer Danny Brocklehurst?

I worked with Danny for a long time – most recently on Brassic which is now on its 5th season and I went back to filming it immediately after Ten Pound Poms. I also worked with him about six years ago on a show called Ordinary Lies and I love his work. I think his scripts are really raw and gritty, but also show a lot of heart – a lot of people can relate to them.

How did you find playing Kate and being in a period drama for the first time?

Kate’s storyline is definitely very emotionally led. You see her go through a lot of turmoil in Ten Pound Poms. It’s been really challenging for me, and I’ve loved every minute. Obviously the series is set in the fifties, so it’s a totally different era and it’s the first time I’ve appeared in a period drama, but it’s something I have always wanted to do.

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Tell us about working with Faye Marsay?

I hadn’t met Faye before. I remember her coming into the read-through in Australia to sit next to me. I’d got there a few days before her – and we instantly just clicked. I knew she was going to be my mate and honestly, I’ve loved working with her. She’s so, so talented and we get on because I think we’re quite similar. So I feel really lucky to have worked with her.

What about Warren Brown?

As for ‘Wazza’ Brown, I’ve known him for years. I first met him when I was about nineteen. We’re both from Manchester and actors, so we’d often bump into each other at events and know lots of similar people, but we’ve never actually got to work with each other until now. He is really talented and I just wish I had more scenes with him. Kate’s storyline is very isolated compared to Faye and Warren’s who play a married couple whilst I only have a few scenes with them.

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You were the only three British actors on set – what was it like working with the Australian cast?

Going out to Australia to work with the likes of Steve, Emma and Hugo has been fantastic. The Australian actors are so brilliant and they bring a different energy to the set. The thing I miss most about Australia is the people. I know it’s such a clichéd thing to say, but everyone out there is so lovely, friendly and welcoming. The crew really got on and it was such a nice working environment – and of course I miss the cast.

And Jamie, the director of block one?

I’d also worked before with Jamie, the director who did the first block. He’s so visually creative and ten steps ahead of everyone else – his brain must work at a thousand miles per hour! He’s so talented.

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What do you hope viewers will take away from the series?

Ten Pound Poms will definitely take the audience on a journey. I think for me and for the viewers, the script is like a history lesson. I didn’t know a lot about the Ten Pound Poms before being part of this project but I did a lot of research into it. Now I’ve talked to lots of people who say: “Yeah, my grandmother was a Ten Pound Pom and I have family in Australia” and that all stemmed from what happened in the 1950s.


Alastair James is the editor in chief for Memorable TV. He has been involved in media since his university days. Alastair is passionate about television, and some of his favourite shows include Line of Duty, Luther and Traitors. He is always on the lookout for hot new shows, and is always keen to share his knowledge with others.

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