Connect with us
Love Child (Channel 9 2014, Jessica Marais, Jonathan LaPaglia)Love Child (Channel 9 2014, Jessica Marais, Jonathan LaPaglia)


Free Streaming Binge TV from 9Now



Australians will have the opportunity to binge on full seasons of some of their favourite channel 9 dramas, comedies and reality shows including House Husbands, Love Child and Married at First Sight on 9Now over the summer.

Nine have announced it will be making “binge for free” packages of some of Australia’s top shows available on the 9Now live streaming and on-demand platform so that fans can catch up on their favourite programs ahead of the launch of the network’s 2017 programming slate.

Nine’s Head of Content Production and Development, Adrian Swift, says it’s a great opportunity for fans to binge on their favourite shows before they return in 2017.

“We know fans are eagerly awaiting the return of favourite shows like House Husbands and Here Come the Habibs and Married at First Sight on Nine in 2017,” Mr Swift, said.

“But the summer “binge for free” opportunity on 9Now is a chance for Australians to reacquaint themselves with these shows and their favourite characters and episodes.”

Among the programs being made available on 9Now between now and January 31 are:
· House Husbands (Seasons 1-5)
· Love Child (Seasons 1-3)
· Married at First Sight (Seasons 1-3)
· Here Come the Habibs (Season 1)
· Hyde & Seek (Season 1)
· Unreal Estate (Season 1)

Hyde and Seek

Hyde & Seek

Nine’s Chief Digital and Marketing Officer, Alex Parsons, said the launch of these drama, comedy and reality TV series over summer was part of Nine’s commitment to providing Australians with quality content all year round.

“Over the past 10 months we have built 9Now into a destination for quality Australian content,” Mr Parsons said.

“We already have 2.3 million customers who have signed up to 9Now and we know they will want quality Australian content over the holiday period.

“We are keen to continue to cater to this demand and expect it will continue to grow the audience on the platform.”


and this just in