A new three-part BBC series, Renaissance: Blood and Beauty, promises a fresh perspective on the Italian Renaissance, exploring the turbulent world of political intrigue, violence, and rivalry that gave rise to some of Western art’s most iconic masterpieces. The series, a co-commission with PBS, features contributions from contemporary artists like Antony Gormley, Alison Lapper, and David LaChapelle, alongside leading historians and a star turn from Charles Dance as the older Michelangelo.
The series anchors its narrative around Michelangelo’s long life, using his own words and contemporary accounts to frame the era. From the Pazzi Conspiracy of 1478 to the unveiling of the Last Judgement in 1541, Michelangelo’s story intertwines with those of Leonardo and Raphael, revealing how these three titans vied for commissions and glory amidst the shifting power dynamics of Renaissance Italy.
Contemporary artists provide illuminating insights into the enduring relevance of Renaissance art. Antony Gormley, whose own work explores the human form, sees Michelangelo as “the first modern artist,” praising his ability to “make the body into a vehicle of infinite possibility.” Photographer David LaChapelle draws a direct line from Renaissance masterpieces to modern pop culture, declaring, “Renaissance art is pop art…Michelangelo’s David is still one of the most visited works of art 500 years after it was made.” Alison Lapper connects with the Renaissance masters’ focus on the human form, finding resonance in their depictions of bodies that challenge conventional notions of beauty.
Renaissance: Blood and Beauty examines the intricate relationship between art and power. Art historian Jerry Brotton reminds us, “Every culture is measured by its artistic creativity, and none more than the Italian Renaissance.” Michelangelo, Leonardo, and Raphael all depended on the patronage of powerful families like the Medici, for whom art served as a powerful symbol of prestige. This system, while providing opportunity, also carried significant risk. Michelangelo’s story illustrates the precarious position of the artist, his fortunes rising and falling as he navigated the demands of his patrons, sometimes defying them at great personal peril.
The series explores the less savory aspects of the Renaissance. Historian Kate Lister highlights the era’s attitudes toward sexuality, pointing to the homoerotic undertones in the work of Leonardo and Michelangelo. She notes the connection between Leonardo’s lover, Salì, and his John the Baptist, and describes Michelangelo’s Sistine Chapel ceiling as “a queer extravaganza.”
The narrative also examines the artists’ personal struggles. Historian Jessica Wärnberg emphasizes their human fallibility: “These were men who wrestled with their own limitations… Their lives and work show us that we must not be afraid to face our limitations.” This acknowledgment of vulnerability makes their extraordinary achievements all the more powerful.
The series concludes by emphasizing the Renaissance’s lasting influence. Professor William Wallace highlights Michelangelo’s prolific late career, reminding us, “If you are 70 your life and best accomplishments are still ahead of you.” This message of ongoing potential reflects the series’ core message: that even amidst turmoil, human creativity can produce enduring beauty and inspiration. Renaissance: Blood and Beauty airs on BBC Two and iPlayer starting December 2 at 9:00 PM.
