Madman Entertainment / available to buy seperately
Often considered something of a poseur by his surrealist contemporaries in the 1920’s Cocteau’s legacy has managed to outlast them all; His film making was wildly eclectic, everything from features to documentaries, from directing to writing scripts to acting Cocteau liked to try it all; Away from the cameras there was an equal amount of eclecticism, novelist, poet, graphic artist and at one time manager of boxing legend Al Brown.
Cocteau’s reputation as a film maker of legend rests on just a few films, two of which Le Belle et La Bete (Beauty and the Beast) and Orpheus are just released by Madman.
Beauty and the Beast was made in 1946 just after the close of world war II, Cocteau had remained in Paris throughout the German occupation (showcasing his forbidden play Les Parents Terribles whenever he got the opportunity) and Beast can be seen as a kind of release into fantasy after the privations of the war. Visually stunning and definitely not a child like version of a tale we are probably most familair with these days via Disney. Cocteau takes the storyt back to its origins, that of the tale told by Madame La Prince de Beaumont, its heavy on symbolism, Jean Marais for example plays both the beast and Belle’s lover; Given the fairytale setting the movie feels curiously real, sets lit to look like a Vermeer painting and a solid looking Beasts castle. An amazing movie.
Orpheus made in 1950 is without question Cocteau’s most completely realised work, based on his own 1925 play, the movie is a modernised take on the life of the fabled poet. In myth Orpheus was forced to journey into Hades, here Cocteau has Orpehus move into “the zone” filmed in the bombed ruins of the military academy at Saint-Cyr, a quite genius touch.
Part of Cocteau’s belief that “the poet must die several times in order to be reborn” Orpheus has deservedly achieved masterpiece status over the years despite being almost ignored on its original release. Cocteau termed his work a “cinematograph” – a way of describing his ability to step outside the constraits of a standard narrative.
Anyone interested in movies as an artform is sure to want to add both of these films (which are available to buy separately) to their collection.
Both movies come with a set of excellent black and white postcard sized artcards.
Dave Saint Show, The (UK Play 2000, John Thomson, Alexander Kirk)
The Dave Saint Show was a comedy about a useless heavy metal DJ on a local radio station. As was usual with with shows on extra terrestrial channel UK Play music videos were interspersed throughout the show.
UK / UK Play – Channel X / x30 minute episodes / Broadcast 2000
Writers: Alexander Kirk, Simon Messingham / Script Consultant: Stacy Herbert / Music: Steve Cripps, Dan Mendford / Costumes: Pookie Russell / Producer: Jim Reid / Director: Mark Mylod
JOHN THOMSON as Dave Saint
ALEXANDER KIRK as AK
KATE LOUSTOU as Jeneane
Game of Thrones Season Six Opener reviews from around and about
Assorted reviews from the interweb of the season six opener for Game Of Thrones.
Game of Thrones is back, with a premiere full of shocks, bloody acts and creepy reveals – but no definite answer about the fate of Jon Snow.
Season six is the first time the TV series has moved ahead of George RR Martin’s A Song of Ice and Fire book series, so even dedicated readers have no idea what will happen. Reviewers say the first episode, The Red Woman, resolved some of the cliffhangers from the last series, but also has a few shocks in store, including one very creepy reveal involving a leading lady.
“The tension was incredible,” says Ed Power in the Daily Telegraph.
Season six opened with the camera swooping low over Castle Black and pausing on noble Jon Snow after his bloody run-in with the traitorous Night’s Watch.
“Alas, the Bastard of Winterfell (Kit Harington) was, for the time being at least, staying very dead indeed,” says Power. This was confirmed by “a haunting close-up of his waxy visage and the pool of scarlet arranged like a skewed halo”.
Short of spelling out: “He’s dead!” in huge flaming letters, the writers couldn’t have driven the point home harder, adds the critic, who asks whether this was “a sadistic riposte to fans” who have waited a year to see if their heart-throb will return or “a sleight-of-hand intended to make his eventual reappearance all the more dramatically satisfying”.
Christopher Hooton in The Independent writes: “The last season of Game of Thrones didn’t so much end on a cliff-hanger as a splat on the beach below. Jon Snow is unequivocally dead,” or so we’ve been repeatedly told over the past few months.
However, he adds, the sheer amount of screen time given to his body “suggested more than just a ‘funeral then we all move on with our lives’ narrative”.
With the “obligatory Jon Snow death check” out of the way, this episode was mostly about setting up the playing field for the rest of the season, continues the critic.
Indeed, it was “a sombre, sturdy opening”, says Matt Fowler on IGN. While “not a high watermark for the show”, the series’ opener resolved some cliff-hangers and included “a big creepy reveal regarding Melisandre right at the end”.
It also set up the pieces on the chessboard and managed to touch upon just about every character in the ensemble, says the journalist, a much easier task these days, “now that the herd is so thin”.
Yes, it was a “table-setting episode”, says Daniel Fienberg at the Hollywood Reporter, as premieres are supposed to be. The episode did what it needed, putting this mammoth locomotive back on the track.
Being Game of Thrones, however, there were a few shockers, including some gory violence and nudity that is “more shocking in its narrative ramifications than its gratuity or titillation”. And while the answer to Snow’s wellbeing comes quickly, says Fienberg, “it needn’t necessarily be permanent, because what things are?”
Source: The Week
Columbo Series Three Region 1 DVD Review
Distributor: Universal Home Entertainment
Certificate: Not Rated | 11 Hours and 24 minutes
Available to buy
ANYONE IN IT WE KNOW?
Peter Falk, Martin Sheen, Vincent Price, Deidre Hall, Jackie Cooper
WHAT’S IT ABOUT THEN?
The Columbo releases from Universal are now upto the third season and of course by now it is full steam ahead as Columbo really hits its stride, of course the basic premise of the show dictates that we know who the killer is right from the get go but by the third season the audience was lapping up the way the Superlative Peter Falk as Lt Columbo doggedly pursued
his villain who were always lulled into a false sense of security by Columbo’s grubby mac, battered old car and down at heel demeanour, all tactics designed to throw the suspect off guard before he lets them know that he knows they did it.
Spread over two double sided discs this nicely put together set features all 8 feature length season three episodes, Columbo’s cases include the mysterious death of a well known author, a country singer who is prime suspect in a murder case, he also finds time to uncover police corruption and political skullduggery. Columbo also always managed to attract a high level of guest and this series includes the legendary Johnny Cash in the episode Swan Song as well as the likes of
Jose Ferrier, Vincent Price, Martin Sheen, Dana Elcar and Robert Culp. A classy slice of 1970’s Tec TV Heaven, Columbo always entertains and should be on any Classic TV fans must have list.
ANY SPECIAL FEATURES?
There’s a great bonus episode from the series Mrs Columbo (which many have claimed isn’t a spin off from Columbo but having now seen an episode it clearly is) this is called Murder Is A Parlour Game (from 1979) and features Kate Mulgrew as Kate Columbo, journalist on a small local paper and married to a never seen Lt Columbo, she investigates when a suicide case appears to be murder, the excellent Donald Pleasance guest stars, this is great fun and is hopefully a precursor to the whole series getting a release.
Please note: This article predates the published date and is from the old HTML version of Memorable TV and is part of our From The Archives collection.
THIS JUST IN
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In Hazell and the Suffolk Ghost our intrepid hero pays a visit to the seaside when an accountant, Peter Harlow,...
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